Showing posts with label opportunism. Show all posts
Showing posts with label opportunism. Show all posts

1/21/15

Literature as Film in the Epic-Franchise-Commercial Mode; or, The Hobbit Trilogy

The Hobbit: Battle of the Five Armies was sullied by many things. It smelt of the boardroom, for one. It was kind of uncool to the source material, for two. And for three (threes are gonna be important): parts of it functioned as a commercial for a video game and quite possibly a theme park addition as well. Don't be surprised if in the next five years a middle-earth theme park opens (if it hasn't already, I am not bothering to look). And it wasn't just the action scenes, major characters were added to make it right. Maybe you don't care, but if this were middle-earth, then there is only a handful of villains spooky and evil enough to think up such a subtle and convincing marketing scheme.

Another thing you might have noticed if you watched it (and it was a grand spectacle, there is no denying that) is how each movie had at least one theme park ride of a scene in it. For instance the sterling standard of 'theme park ride scene' that anybody could recognize is the barrel escape (lazy river/barrel ride variant) from the second movie in the series. There were other such moments... I can't afford to go back to document them.

I'll admit, I'm the wrong person to point this out. The last time I read the book I had not yet lain with a lover, driven a car, or drank alcohol. I read The Hobbit at least five times. It's a slim volume packed with adventure, humor, and the odd dwarf song/elfin slam poetry session that you may skip if you're a kid. In short: it's brief, to the point, and quite fantastic. I don't think there's a lot of modern fare that could boast it was better, if any. It might be the best, but I don't indulge in fantasy as such anymore, so I don't know. In my mind it gets the gold.

However that's not even to the point. To clarify: I may be the wrong person to look upon the Hobbit Trilogy Franchise because as soon as I heard it was to be a trilogy I already thought 'Oh, oh no. This is not how things should be. I must ride... to New Zealand!' because damn it all, it is not impossible to pack the whole little book into a single two and a half hour (three and a half extended) film. It could've been done, it would've been considerably more exciting, taken more skill, more risks with narrative, trusted the audience more... in essence it would've been greater than it was, doing more with less. I'll state that one of my chief contentions with the modern world is its increasing inability to do more with less, and how it instead does less with more, and leaves the increasingly tone-deaf uncritical audience squalling with idiotic delight anyhow. That is the degradation brought into the world by the explosion of Nerd Culture... that is what has been wrought. I will say no more at this time.

It would've taken skill to condense the story into a manageable screenplay. It'd take some 'hard' decisions like throwing Frodo Baggins and Legolas out, which would've saved about an hour. All the backstory nonsense could've been stripped out (1.5 hours), the business with the Necromancer could've handled as it was in the book (saving roughly another hour), and the love story could've been shit-canned (which would've hurt Orlando Bloom's feelings and destroyed Evangeline Lilly's lifelong dream of playing a cute elf – and also saved another hour and a half). So with basic, sensible ideas I have already cut the length of the movie by 5 hours, making my originally stated aim possible. Plus I'm reducing the budget - you're welcome.

There could've been less bloat in this fantastic franchise vehicle. I won't say the series is shit. It's pretty good – not as good as the LOTR movies (which confronted me with less major issues, though the omission of Tom Bombadil was unforgivable) but I suppose that's the price you pay when Nerd Culture rampages through the things you loved as a child. The technical achievement of the movie cannot be understated: many talented people worked hard to make it happen and I do not deride their efforts in saying the movie could've been better. Parts were cheaper than I liked, and cheapening the source is somewhat of a sin. And sometimes it all looked a little plasticky, a little too videogamey for my tastes. Which leads to the most interesting angle: the commodification of middle-earth.

What really burned me, what really made me feel squeamish, and what really sullied and cheapened the experience is the fact that it was a big old commercial – a vehicle to create retail appetite in the viewer. As stated earlier, it was a subtle one (or at least subtler than Transformers), but not too subtle for this viewer (who, cards on the table, never played Shadow of Mordor). The game was quite hyped and the movie was incredibly hyped, so much so that I, who was quite outside of the media ecosystem, still heard more than enough about the trilogy's finale. Two rentals and a discount midweek viewing later I had all the facts at hand to make my dismal voice heard in the matter. I was free to state my opinions bloggishly, and I knew I had to.

The videogame-like action sequences (when Galadriel, Elfin Agent Smith, and Saruman battle the ghost skeleton warriors springs to mind, or almost every other major straight-up fight or battle) set the tone to a degree where I cannot hold my peace. Watch the rhythm of the fighting, artificial enough in execution, and you can almost imagine someone pressing B three times and forward once on the joystick to execute a daring feint or parry, or the blatant finishing moves... not that filming the chaos of battle with any fidelity is possible in a staged event, but care should be taken to keep it separate from interactive experiences. The choreography doesn't have echo the digital dance. One can almost see the gang teaming up for an epic loot raid, Radagast complaining meekly about having to buff everyone and that he's got to go to sleep while the rest slash meaninglessly at a big enemy, hacking away the health bar and exchanging terse gamese jargon.

Most of my contention stems from the final movie, when all the pieces fell into place, confirming my suspicions. Azog the Defiler is a clear Shadow of Mordor Nemesis-system entity, and so is Golg. The final fight at the end, gratuitous as it is, is nothing more than a winking reference to the videogame. The whole backstory of Thorin and Azog is basically an example of the Nemisis system – wherein you slay an enemy only to find out it survived, gained power, and has your death on its mind. Their final battle is so on the nose that I had to Google, Yahoo, and AskJeeves search about the commercial theory, and finding nothing begin to write this very post you are reading. The media are so interlaced it boggles my mind, and chilled my enjoyment of the show. Also there's a little part in the second movie where the gang climbs up a blocky staircase that looked specifically Minecraftish... dreary, maudlin, maybe even unintentional, but I could not escape the connection.

The writing could've used polish and was almost painfully amateurish at times. Dain repeatedly saying bugger as if he knows of no other term for orc. The 'forcing the hand' of the Necromancer (this phrase is used and reused so much as to be admirable - a true testament to recycling lines) is the only idiomatic phrase the writers seemed to know. The love story is filled with lines that groan under their own dull and predictable weight. The earnestness with which the lines are delivered is sometimes their only saving grace, but all deviations from the book are apparent because the lines are either too flat or too flowery, and the actors make them work, but a critical ear will hear what it will. The Master of Laketown and his wormish assistant are so baldly written they become parodic, which was out of place in a movie that took almost everything else too seriously. I did enjoy Stephen Fry's portrayal for all that, but it was really very super on the nose... a little subtlety would've carried it far. The wormish guy was just... feh, super overdone, even a deaf-blind fish would've grimaced a bit at the character as he kicked infants and old women, exhibited unrealistic cowardice, stole gold from the poor, and threatened to transform into a cartoon villian. I don't recollect if they were this blatant in the book, but probably not. Tolkien was a little subtler than that.

The schmaltzy love story was for the girlfriend, the insipid video game action sequences (you can literally tell when a character has unlocked Quad Damage, Rage Counter, or God Mode by how easily they plough through the abundant fodder enemies, and there must be Life Regeneration going on) were for the boyfriend. Good for more than dates, even, but best for dates... millennials will go crazy for it. Everyone will love it, in fact, except the critics and who gives a shit about their pernicious skepticism? What a perfect creation, what an essential excretion of our era – a timeless expression of the values of 2014. The book got shafted again by the light rays of the cinema, the synergistic marketeering of commerce, was it ever any different, et cetera...

Finally: what's up with the alleged Brian Cranston cameo? It might be the most underlooked part of all, and the least offensive. I truly hope that it was Brian Cranston I saw at the horn-blowing sequence after the battle... others have noticed it as well, but I'd like to know more. If anyone gets the DVD/BluRay, please do screenshot that moment and post it. It would be good to confirm or deny this one.

There could also be a great two-hour epic of all the walking scenes in the entire Peter Jackson middle-earth series. I wouldn't watch it, but it would be hilarious enough after five minutes of steady walking in various beautiful locations.

10/29/12

Twitter Strategies for Journalists: An Existential User Comment Rodeo

CJR posted a great bit about getting Twitter followers that almost makes me want to dust off my twitter account and make it live. I used to try to follow twitter. Now I mostly blog lackadaisically in order to tell myself I am doing productive writing. I see people tweeting and they repost their tweets to facebook and I think, "Goddamn that's insane." but on the other hand they sometimes get 100 or so impressions. Which is generally still pretty insane. They are engaging with the imaginary yet somehow relevant aimless messaging system. Some people who have encouraged me to join actually have audiences and purposes for tweeting – which, in a fast-moving, egalitarian telegraph machine, are the most difficult things to achieve and understand.

I might be biased. I see every twitter account as the equivalent of a Minecraft video on YouTube. It does not inspire me. I see tweets in various news media and have to restrain myself. Jimmy Fallon uses twitter in cool ways, though, and the service has been used for all kinds of mischief so it can't be all bad. But on the other hand, the volume of tweets alone is a barrier to entry. The slavishness of hashtag culture, the ruthless advertising. Twitter has as much of a mercenary heart as facebook. But who cares what I have to think or say. I still have to think or say it if it's not broadcast.

Still, I do my best, despite having posted legitimately cringe-worthy abominations, to say interesting or informative things in a neutral language which does not rest on lazy assumptions, fallacies, or promote negative patterns of thinking. I try to do my best, on the internet or at least this blog, at least sometimes but it can be so hopeless and tiring. The internet, used anonymously, has a tendency to communicate the worst aspects of individuals and their cultures. There are heartbreaking stories about these kinds of problems and what their fallout is. Unless you're not paying attention, you have probably heard one.

Probably you came here to add followers to facebook and increase your clout score or whatever. I already linked to it at the top.  The specifics of the linked article are great and all, but there was one user comment that was essentially critical of Twitter, but also probably uncomfortably accurate:


The flood of user-generated everything, from literature to the internet to economics, is an incredible problem that is both happening and waiting-to-happen. An unthinkable volume of information is kind of awesome, but also kind of terrifying. This brave new world is, after all, the kind of world that spawned the hollow 'expert culture' – an institution that is essentially quackery in all but name. The fact that the article shows at least one case of people forced to contribute to twitter against their will is equal parts hilarious and sad.

9/27/12

Pay Before You Pump

About a week ago there was a fairly big story about a malicious death (essentially a murder, technically a hit-and-run) in Toronto, caused by $112 worth of gas. The victim was the clerk, fearful about having a day's wages garnished because of theft. The manager of the location, and the industry itself, which likely institutes and enforces pay-for-theft measures (like many service industries – remember, if you don't want to tip, at least pay), criticized the entire incident but itself did little. I am no customer-service scientist, but I have a feeling that franchise owners and employers weren't ever truly warned against garnishing wages for fees.

Just ask a bartender or, especially, a waiter at your next time out. They'll tell you that for dine-and-dashers, or drink-and-stumblers, they are held responsible for the lost money. They buy it. They pay for theft. It's a stupid, malicious business, but it is rational in that it makes sense. That's business – if an employee can't keep profits then the employee is punished for that. Fine.

However, the scene of this crime is far more complex even than a simple theft of food and service at a restaurant or bar. Gas prices are rising like thermometers around the globe. Record summer heat means more cars on the roads, burning gas to maintain their spots in traffic jams, and operate A/C for the frustrated, overheated drives. Let's face it: when you're a privileged North American in a car, in dense traffic, it gets slow and it gets lonely. Carpooling doesn't figure at all in the story of gas theft and murder, but I figured I'd give it a moment, since passengers can be made to pay for their passage – and they should, with gas prices as they are.

The worst part of the story was a story about a teenage pump attendant (I forget where or if he was even a teen) who was dragged to his death for something like fourteen dollars and change. It's pretty damn despicable, but potentially the worst part is how many times it took before some politician realized there was exposure in acting on it.  It only took a loose bunch of lives before the righteous opportunists of the political sphere even took notice of a looming problem. Gas won't get cheaper. People won't suddenly begin to treat low-paid service staff as legitimate humans deserving of life, as worthy and valuable others – as they won't in any of dozens of arenas around the world. Anyone who's worked retail will tell you about it, if you were wondering.

Meanwhile, angst continues to pile up in Canada. Gas costs $1.25 a litre (that's like three something a gallon) and we have something like the third-largest oil reserves proven in the dirty, shitty oilsands. Meanwhile we sell it away, part and parcel, to foreign interests and continue to pay unreasonable prices at the pump when we buy it back from those foreign interests. Instead of refineries, profits are used in a pathetic attempt to greenwash the original extraction operations. Somewhere in this nest of wasteful fallacies lies a sensible route to well-priced gas or an achievable alternative. Politics, though. You gotta have politics. Opposition to oil sands development must be the exclusive domain of malicious idiots and borderline eco-terrorists – you know: 99 percenters, Occupiers, and other idealist trash who don't know anything about business, the economy, or why the status quo is set as it is.

So it's only a matter of time until Nexen is sold to Chinese investors. I'm not even of the opinion it's a mistake. The oilsands are a mistake, what is done with them now – and if it gains certain people in this country billions of dollars, and improves trade relations with China: so much the better – hardly matters. Sovereignty has not been anything more than a byword by which the Harper administration rustles up support among the smug and hopeless of Canada. Under such circumstances, the sale of Nexen Inc is a no-brainer, and any turn-around likely to harm Canadian prospects in international trade, making it seem as reactionary and uncompetitive, as well as uncooperative and dishonest.

Looking at what Canadians will do for gas, down to the cowardly killings of attendants, some good publicity will be a windfall. So long as the oil and money continue to flow, little else matters. The big companies (NHL and NFL are currently great examples of this, as well) don't care about the lives of their most-ubiquitous employees, or pollution, or who owns what bit of oilsands. Politicians will only act if it fits in with their specific brand, and if their mandarins have seen fit for action, or if the public applause will overpower the private censure. Nobody cares, and, seemingly, neither do the people – and who can blame them? They've got to get to work, and the highways are full of inept, asshole drivers in practically empty cars, just gumming up the works.