I suppose I'm an idiot to object, but the remaking of a solid 80's masterpiece in the corporate wasteland of the 21st century which it was originally set in seems wrong to me on a fundamental level. It's almost a twisting of physical laws, as if a yottoscopic black hole passed through my mind while I had a perverse thought about how weird a relation it would be, and then via singularity that thought manifested itself as part of reality, or as possibility in minds close to the film industry. It's that weird to me. It's like the manifestation of a nightmare – but that's essentially what the world has been, behind the scenes at least, for my entire life and probably all other humans as well... which is the point of entertainment.
Overstatement. It's more fun than saying that a bunch of hacks want to release a new movie based on an old concept, as if they have anything meaningful to add to a concept they're borrowing for lack of inspiration. Profit trumping history. I guess that's what it is to live in 2013. Detroit is actually declaring bankruptcy (check out RoboCop 2 if you think I'm schizoid) and cocaine is as big a problem in America as ever, to the point where they either need to construct many real-life RoboCops (as well as a small army of ED-209s) to stop the trafficking or just let it win and stop making a fuss.
I don't want to be the wanker who says that a movie was 'eerily prescient' about 'modern society' because RoboCop was eerily contemporary about 80's culture and eerily great in every possible way, but movies aren't prophets and that particular one was only proven right because of the sheer amount of subliminal and/or retrograde insight the movie possesses. I bet the remake will make multiple references to drones. I am told that's a bet I'm not allowed to make. Mark my words: fuck RoboCop 2014, that shit ain't right.
"Get ready for a hip, new RoboCop who understands EDM music and doesn't mind a bromance... or two!"
It boggles my mind, and then along comes this fucking remake which I'm sure can safely be judged on what kind of car the new RoboCop drives. Probably written by committee, guided by fuckers, and destined to be a grave insult to the spirit of the original in every possible way. Corporate slickness, top-40 EDM song in the trailer, GFX up the ass, possible box-office hit, dialogue from idiot hell, blood-curdlingly dumb and sensationalistic in every way... I'd buy that for a dollar and so will you!
**** I suppose they more commonly go by the colloquialism 'movies' or 'films', but when
intelligent people band together and overthrow the world order they will be referred to as who-gives-a-fucks, I have it on good authority, since they generally function as soulless propaganda, socially acceptable narcotic, profit-motive, and distraction. Various cinema will still be allowed, for obvious reasons, but it is hoped calling them who-gives-a-fucks will be humbling to the industry.
No comments:
Post a Comment