There is nothing original about how opinionated news coverage is. It's tempting to say 'how opinionated the media has become' but it's an old story. Even in the best cases there's a subtle angle or two going on in a story; at worst: well you don't have to look far or read deeply. It used to be that only advertisements and special interest messages or full page buy-ins blended message and content into a delicious slurpee of fact and fantasy. Nowadays there is editorializing run amok. A story can't rest, a tragedy can't be digested, before it is processed into agenda and counter-agenda.
As if there were not enough conflict in the world, and as if easy conclusions were not bountiful [and cheap] enough already, there is the great fight in mass media. No wonder the narrative of the contemporary is blurry: it is being constantly retouched by a cabal as neurotic and sinister and widespread as 40's Stalinist revisionists. They are your friends and your enemies, and they have your neighbor's ear if not yours. You will hear what they say, one way or another, and it may occur to you that it can't matter anymore what you think.
Naturally there is still room to read between the lines. For the claustrophobic, it is not recommended to try: the story there is generally not encouraging either. Everything surrounding it is manic, fallacious, and consistently problematic. User Comment Rodeos are a good joke but really, what an exercise in futility – in the name of some laughs, hopefully. There has to be an 'at least', and that is that we can watch the corrosion of debate and solidification of mistruth, and at least laugh about it.
I am late to that party, but even I can tell it contains some excellent observations by noteworthy members. Stephen Colbert, for one: host of the Daily Show for the 21st century. Generally the news isn't jokeworthy, and turning it into something laughable takes direct confrontation of its most negative features. Held only in context, it's kind of macabre to laugh when 'people are dead/dying'... but if you follow that rabbit hole all the way down you will lose your mind. What matters about Colbert, for instance, is that his stance is based on perspective as well as overwhelming satire. Still, I admit I am no expert, so it could be something else with his show.
What does a politics/satire late night show have to do with news media, worldwide? Only very little: an example of the brighter side. Mostly the news media that exists is corporate in nature and consumerist in action. Generally, Western media is overwhelmingly capitalistic as well, but even to bring that up anecdotally is grounds for suspicion and/or derision, which only makes it truer. When the Rana Plaza Building collapsed in Bangladesh it didn't take long for the apologists and exceptionalists to hurl their agendas into the fray. 'It's a recession, so you know what? The solution is a growing global market, stupid hippies, and that requires affordable labor.' or 'Before you pontificate about these 500 dead garment workers, just remember that many were working women – an economic and feminist victory for that country.' or 'If you think you should feel guilty about that 29 dollar t-shirt made by a worker paid pennies an hour think about these even poorer places where subsistence farmers aren't even exploited by billion-dollar multi-national corporations!'
These are the kinds of things that develop from an overly opinionated media. The story itself was buried in the rubble of a society scrambling to indemnify itself against all charges of complicity. The careful thoughtfulness which can only come from an understanding of things is ever eclipsed by the need to feel strongly about things, to feel superior to or protected from problems, and [for 'a lucky few'] to exploit strong feelings for profit or power. This is nothing new, and is probably a fundamental limit on any possibility of a human solution to the problem. What plagued us as suspicious tribes slaughtering each other in the Neolithic will plague us with nuclear weapons, drone strikes, surveillance, social unrest, and terrorism in the present.
Yeah, I'm getting all of this from a handful of unqualified public user internet commentary, some TV shows, and the odd newspaper. I sometimes cover user comment posts - it seems like a frightening low, come to think of it. Still, all of these things say something about contemporary society. Even the agendas, approached critically, sometimes reveal a little about their motivations. Still, it is not the done thing to wonder about the world. All minds bog down with immediate concerns: on that account there is either no blame to spread or too much to imagine. However, it is and has always been important to open one's eyes now and again, to accept the surprise of being wrong, and there are [in the media alone] too many entrenched positions for that to be true.
As a lowly member of the public, I feel from the media world little other than indifferent contempt – with few exceptions. I don't understand how everyone doesn't feel that way. Companies/governments/media outlets talk down to me all day, in advertisements and productions in every form of media, their lackeys on the street, the social mores they've normalized, the behaviors they encourage, police, cause, and propagate. If I think differently than I ought to, things will seem grimmer than they have to, and maybe that's unhealthy. 'Being happy is being healthy, so even in inclement times, you should focus on you, and be happy!'
Of course, feeling uncomfortable about this situation is absurd, abnormal, or paranoid. The cues are everywhere and they tell me to continue to consume the media, maintain or improve my standing in society, and that things are getting better every day. 'The future is coming, along with the following exciting products and services...'
There will always be 'incidents' and your betters and heroes in politics, business, and the media will cover those. You will know what to think the minute you hear any story, without hesitation or reflection. You might have overblown fights with complete strangers about something trifling you disagree on, but you'll never question why. The irrelevance of opinion [and opinions' sources] is the only thing in doubt. There might be opinions published in and around the news that are unacceptable because they are one-sided and/or myopic, but at least they're only kinda presented as truth, in the sense that they are argued convincingly but never based on facts.
Oh well. Agree to disagree. The headlines will confirm what you were thinking anyway. Whatever you do: don't search for cures - your old friends are waiting for you.
Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts
10/29/12
Twitter Strategies for Journalists: An Existential User Comment Rodeo
CJR posted a great bit about getting Twitter followers that almost makes me want to dust off my twitter account and make it live. I used to try to follow twitter. Now I mostly blog lackadaisically in order to tell myself I am doing productive writing. I see people tweeting and they repost their tweets to facebook and I think, "Goddamn that's insane." but on the other hand they sometimes get 100 or so impressions. Which is generally still pretty insane. They are engaging with the imaginary yet somehow relevant aimless messaging system. Some people who have encouraged me to join actually have audiences and purposes for tweeting – which, in a fast-moving, egalitarian telegraph machine, are the most difficult things to achieve and understand.
I might be biased. I see every twitter account as the equivalent of a Minecraft video on YouTube. It does not inspire me. I see tweets in various news media and have to restrain myself. Jimmy Fallon uses twitter in cool ways, though, and the service has been used for all kinds of mischief so it can't be all bad. But on the other hand, the volume of tweets alone is a barrier to entry. The slavishness of hashtag culture, the ruthless advertising. Twitter has as much of a mercenary heart as facebook. But who cares what I have to think or say. I still have to think or say it if it's not broadcast.
Still, I do my best, despite having posted legitimately cringe-worthy abominations, to say interesting or informative things in a neutral language which does not rest on lazy assumptions, fallacies, or promote negative patterns of thinking. I try to do my best, on the internet or at least this blog, at least sometimes but it can be so hopeless and tiring. The internet, used anonymously, has a tendency to communicate the worst aspects of individuals and their cultures. There are heartbreaking stories about these kinds of problems and what their fallout is. Unless you're not paying attention, you have probably heard one.
Probably you came here to add followers to facebook and increase your clout score or whatever. I already linked to it at the top. The specifics of the linked article are great and all, but there was one user comment that was essentially critical of Twitter, but also probably uncomfortably accurate:
The flood of user-generated everything, from literature to the internet to economics, is an incredible problem that is both happening and waiting-to-happen. An unthinkable volume of information is kind of awesome, but also kind of terrifying. This brave new world is, after all, the kind of world that spawned the hollow 'expert culture' – an institution that is essentially quackery in all but name. The fact that the article shows at least one case of people forced to contribute to twitter against their will is equal parts hilarious and sad.
I might be biased. I see every twitter account as the equivalent of a Minecraft video on YouTube. It does not inspire me. I see tweets in various news media and have to restrain myself. Jimmy Fallon uses twitter in cool ways, though, and the service has been used for all kinds of mischief so it can't be all bad. But on the other hand, the volume of tweets alone is a barrier to entry. The slavishness of hashtag culture, the ruthless advertising. Twitter has as much of a mercenary heart as facebook. But who cares what I have to think or say. I still have to think or say it if it's not broadcast.
Still, I do my best, despite having posted legitimately cringe-worthy abominations, to say interesting or informative things in a neutral language which does not rest on lazy assumptions, fallacies, or promote negative patterns of thinking. I try to do my best, on the internet or at least this blog, at least sometimes but it can be so hopeless and tiring. The internet, used anonymously, has a tendency to communicate the worst aspects of individuals and their cultures. There are heartbreaking stories about these kinds of problems and what their fallout is. Unless you're not paying attention, you have probably heard one.
Probably you came here to add followers to facebook and increase your clout score or whatever. I already linked to it at the top. The specifics of the linked article are great and all, but there was one user comment that was essentially critical of Twitter, but also probably uncomfortably accurate:
The flood of user-generated everything, from literature to the internet to economics, is an incredible problem that is both happening and waiting-to-happen. An unthinkable volume of information is kind of awesome, but also kind of terrifying. This brave new world is, after all, the kind of world that spawned the hollow 'expert culture' – an institution that is essentially quackery in all but name. The fact that the article shows at least one case of people forced to contribute to twitter against their will is equal parts hilarious and sad.
Labels:
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6/2/12
I haven't read CJR for a while and then return to read this: a timely and concise collection of regrettable headlines. I do get a bit of a kick out of jokes sometimes, I have to say – and these are some fine, amusing headlines. For instance:
"173 animals seized; 2 face cruelty charges"
That sounds like a really nice group of animals, why would they ever get arrested? Did the innocent ones get set free? Were there at the minimum fair trails? What kind of cruelty charges? In reality it's probably some sort of crazy neglect story which makes it, somehow, even more disturbingly funny than ever.
And it's not even the best one; the best one, predictably enough, is about a shark.
9/6/11
Lolnet.heh/msuic
Recently I overheard people talking about an album by Bon Iver. And I was thinking, to be honest, "Hippy Bon Jovi Nonsense". So I did my due diligence, business people, and the rest of you should know I visited wikipedia, followed up on the name-drops, and laughed at something I found. It's a piece of music journalism. Two pieces, actually. I like to call them the dueling reviews. They inspired me to do some listening many weeks ago.
And all that time those two reviews have stuck in my mind. Sometimes I catch myself thinking about them on the way to work, or while getting groceries, sometimes even in the middle of a conversation some spare remark will prompt the two Bon Iver reviews that Tim Sendra wrote, presumably for Allmusic. These reviews and the three-and-something years between them are, I think, representative of how the human socio-cultural system has shifted. Or maybe I'm a tin-eared bastard with a dumb, sloppy blog.
The two Bon Iver albums strike me as being remarkably similar. I haven't played them constantly; I haven't listened to either of the albums particularly critically (huh?); I have, however, listened to both of the albums in full at least four times. As far as I'm concerned, I have more respect for Bon Iver than for Tim Sendra, but Bon Iver has to admit that Tim Sendra has somehow managed to make Bon Iver weirdly important to me. I wouldn't have known about this band or even written them off if not for two reviews that produced a mysterious reaction in my mind. Tim Sendra, however, has explained where the last three years of my life went, for which I am in his debt - figuratively, of course.
The two albums are titled For Emma and Bon Iver, chronologically. Note how the second album title is eponymous. The fact literally does not matter to me. I somehow always think it's the first album, which may have skewed my idea of things, except that I knew exactly what Tim Sendra was talking about when he reviewed either album. Let me be concise for a moment: I think the first album is sincere and conceited; I think the second is sincere and conceited. I found both of them pretty enjoyable except they have a sombre, cool vibe to them. Let me post an image of Tim Sendra's review of For Emma. I hope he doesn't mind this mild intrusion, but I am acknowledging him as the author and Allmusic as the owner, so there's nothing to apologize about since I'm not planning on calling him uncouth names.
It seems to me an honest review. It's probably how Tim Sendra felt about the album. It's a fair representation and he does not oversell. He notes: 'subdued', 'isolated', 'voice', 'harmonies', and you can read the rest. I find the album decent, etherized and ethereal and with a few stand-out songs. "Lump Sum" is alright. In the end the album is alright. Some of the vocals are autotuned, so there is obvious conceit and if you are not a sensitive soul you will find these touches laughable or out-of-place. They are used for emphasis, don't sound entirely stupid, but still: fucking autotune in another heartfelt, subdued, harmonic indie-rock folkish lament. I don't even know if it's original but it surprised me.
So, cool album. Not something I'd want to listen to very often, but for times of illness or heartbreak I imagine it is suitable if unhealthy. In themselves, For Emma and Sendra's review are harmless enough and inoffensive. Now, gentle reader, please allow me to bring Exhibit B into these calm, idealized waters. Exhibit B is Bon Iver, the album, and Sendra's review as accompaniment in B sharp.
And all that time those two reviews have stuck in my mind. Sometimes I catch myself thinking about them on the way to work, or while getting groceries, sometimes even in the middle of a conversation some spare remark will prompt the two Bon Iver reviews that Tim Sendra wrote, presumably for Allmusic. These reviews and the three-and-something years between them are, I think, representative of how the human socio-cultural system has shifted. Or maybe I'm a tin-eared bastard with a dumb, sloppy blog.
The two Bon Iver albums strike me as being remarkably similar. I haven't played them constantly; I haven't listened to either of the albums particularly critically (huh?); I have, however, listened to both of the albums in full at least four times. As far as I'm concerned, I have more respect for Bon Iver than for Tim Sendra, but Bon Iver has to admit that Tim Sendra has somehow managed to make Bon Iver weirdly important to me. I wouldn't have known about this band or even written them off if not for two reviews that produced a mysterious reaction in my mind. Tim Sendra, however, has explained where the last three years of my life went, for which I am in his debt - figuratively, of course.
The two albums are titled For Emma and Bon Iver, chronologically. Note how the second album title is eponymous. The fact literally does not matter to me. I somehow always think it's the first album, which may have skewed my idea of things, except that I knew exactly what Tim Sendra was talking about when he reviewed either album. Let me be concise for a moment: I think the first album is sincere and conceited; I think the second is sincere and conceited. I found both of them pretty enjoyable except they have a sombre, cool vibe to them. Let me post an image of Tim Sendra's review of For Emma. I hope he doesn't mind this mild intrusion, but I am acknowledging him as the author and Allmusic as the owner, so there's nothing to apologize about since I'm not planning on calling him uncouth names.
It seems to me an honest review. It's probably how Tim Sendra felt about the album. It's a fair representation and he does not oversell. He notes: 'subdued', 'isolated', 'voice', 'harmonies', and you can read the rest. I find the album decent, etherized and ethereal and with a few stand-out songs. "Lump Sum" is alright. In the end the album is alright. Some of the vocals are autotuned, so there is obvious conceit and if you are not a sensitive soul you will find these touches laughable or out-of-place. They are used for emphasis, don't sound entirely stupid, but still: fucking autotune in another heartfelt, subdued, harmonic indie-rock folkish lament. I don't even know if it's original but it surprised me.
So, cool album. Not something I'd want to listen to very often, but for times of illness or heartbreak I imagine it is suitable if unhealthy. In themselves, For Emma and Sendra's review are harmless enough and inoffensive. Now, gentle reader, please allow me to bring Exhibit B into these calm, idealized waters. Exhibit B is Bon Iver, the album, and Sendra's review as accompaniment in B sharp.
7/29/11
The Jon Stewart / Juan Williams Interview
Apparently on the 27th of June at some point there was a discussion between two individuals about certain things regarding, vis a vis, et cetera... partisanship in the media. Jon Stewart being a media person, and Juan Williams as well, it was kind of interesting. I'd recommend it for anyone looking for hope, really. Were that discussion to be multiplied a millionfold, or at least the questions involved, things might look a bit better for everyone.
And that's kind of why America is still a sort of beacon, though distorted and melted, because at various times and places certain important questions still manage to bubble to the surface. This happens everywhere and has always been happening alongside its counterpoints. Because, who knows, maybe there's some evolutionary advantage to willful ignorance. The Darwin Awards beg to differ, but how trustworthy are those who would mock serious clusterfucks?
It was simply interesting to hear the issue addressed, because perhaps the time for mocking dysfunction is actually past and we are in more serious times. Or most likely of anything, dysfunction needs to be analyzed and only then mocked, once it has been brought out of the dim caverns where it assembles its myopic empire.
The interview asked one question that so imposed itself on my imagination that I couldn't shake it, and consequently missed part of the interview. I'll paraphrase for the gentle reader's convenience, but the bit deserves to be watched by a wide audience and some of it filed away. "What would a non-partisan news agency look like?" Would it be CNN, with its gaping loss of viewership in the last decade? According to Stewart/Williams the liberal paragon is NPR and the conservative paragon is Fox News.
I admit, their delineation does not shake my weak conception of US politics. It's kind of a no-brainer and since they are de-facto Kings of North America... all I know is Canadian Prime Minister Harper is planning to built condominium jails in Toronto. Back on topic: what would such a network look like? Are there global examples? Does Canada have that sort of reportage? Yes Canada is also a theme.
Well we have recent Fox News rat finks Sun Media, aka Part One of the Royal Plan to Put Conrad Black in 22 Sussex. Furthermore, the CBC is kind of our NPR. And of course I jest frivolously, but I learned something important from the Stewart/Williams interview – inflate and deform everything to hideous dimensions. That's how demons were made in the olden days and that's how honesty can be beaten. And the whole partisanship media shenanigan is proven by the past, and that is why it can be correctly attributed as a strategy of both progressive and regressive social elements anywhere. Like any currently known tool it is ultimately directed by some person, and like any old trick it is a pedigreed thing.
And is there any uncolored information? Along with the general increase in raw volume of information, our ignorance and pettiness seem to increase as well. Our famed high-density areas are largely full of indifference and spite, and that microcosm is played out on the screen and even in governance, apparently. Which begs the question: which is the true show and which is the farce? Or is it simply that they're both fucked?
The Moment of Zen was an uncanny failure, perhaps only because July 26 2011's episode had one of, if not the best Moment of Zens I've ever seen.
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| American Heroes in Action, or 'Everyday Joes'? |
It was simply interesting to hear the issue addressed, because perhaps the time for mocking dysfunction is actually past and we are in more serious times. Or most likely of anything, dysfunction needs to be analyzed and only then mocked, once it has been brought out of the dim caverns where it assembles its myopic empire.
The interview asked one question that so imposed itself on my imagination that I couldn't shake it, and consequently missed part of the interview. I'll paraphrase for the gentle reader's convenience, but the bit deserves to be watched by a wide audience and some of it filed away. "What would a non-partisan news agency look like?" Would it be CNN, with its gaping loss of viewership in the last decade? According to Stewart/Williams the liberal paragon is NPR and the conservative paragon is Fox News.
I admit, their delineation does not shake my weak conception of US politics. It's kind of a no-brainer and since they are de-facto Kings of North America... all I know is Canadian Prime Minister Harper is planning to built condominium jails in Toronto. Back on topic: what would such a network look like? Are there global examples? Does Canada have that sort of reportage? Yes Canada is also a theme.
Well we have recent Fox News rat finks Sun Media, aka Part One of the Royal Plan to Put Conrad Black in 22 Sussex. Furthermore, the CBC is kind of our NPR. And of course I jest frivolously, but I learned something important from the Stewart/Williams interview – inflate and deform everything to hideous dimensions. That's how demons were made in the olden days and that's how honesty can be beaten. And the whole partisanship media shenanigan is proven by the past, and that is why it can be correctly attributed as a strategy of both progressive and regressive social elements anywhere. Like any currently known tool it is ultimately directed by some person, and like any old trick it is a pedigreed thing.
And is there any uncolored information? Along with the general increase in raw volume of information, our ignorance and pettiness seem to increase as well. Our famed high-density areas are largely full of indifference and spite, and that microcosm is played out on the screen and even in governance, apparently. Which begs the question: which is the true show and which is the farce? Or is it simply that they're both fucked?
The Moment of Zen was an uncanny failure, perhaps only because July 26 2011's episode had one of, if not the best Moment of Zens I've ever seen.
5/21/11
Music News Misinformation
The band And Ballsweat was asssassinated by Spanish agents in 1974, during a concert/shootout in Le Havre. Their first album "The Future is Fucked" is a collector's album, and because of its limited run of 500 copies is a coveted collector's item. Copies of the LP, with its distinctive cover art, have been known to sell for more than a thousand dollars.
Despite their relative obscurity, the band is credited with inspiring the genres of electroclash, post-hardcore, and white funk. The last single released before the band's untimely death was a protest song entitled "Winners and Losers", highly critical of the current regime there, although it was written as a parable about the history of the Canary islands. Nevertheless, despite the band's relative craftiness and cryptic lyrics, their brief popularity in Europe made them the targets of nationalist forces
It didn't help that they advocated revolutionary behaviour, which is naive but offensive to most people. Their high-energy shows were legendary, and led to several fires, brawls, and a mild riot in a Frankfurt sidestreet. Their concern with Spain, despite its results, is still considered to have been a superficial one.
In these soft decades it is easy to imagine that protest music is all American, hippy stuff about nature, or middle-class comfortable angst songs about the evil of large corporations, unjust wars, or economies of scale. Some of the best of this class of music is obscure and unknown and inaccessible and the subject of convoluted music scholarism or hipster cred display.
Despite their relative obscurity, the band is credited with inspiring the genres of electroclash, post-hardcore, and white funk. The last single released before the band's untimely death was a protest song entitled "Winners and Losers", highly critical of the current regime there, although it was written as a parable about the history of the Canary islands. Nevertheless, despite the band's relative craftiness and cryptic lyrics, their brief popularity in Europe made them the targets of nationalist forces
It didn't help that they advocated revolutionary behaviour, which is naive but offensive to most people. Their high-energy shows were legendary, and led to several fires, brawls, and a mild riot in a Frankfurt sidestreet. Their concern with Spain, despite its results, is still considered to have been a superficial one.
In these soft decades it is easy to imagine that protest music is all American, hippy stuff about nature, or middle-class comfortable angst songs about the evil of large corporations, unjust wars, or economies of scale. Some of the best of this class of music is obscure and unknown and inaccessible and the subject of convoluted music scholarism or hipster cred display.
1/28/11
Harmless News Story or Intentionally Downplayed Opportunity for Ethical Boycott?
A story I happened to read today developed serious undertones of 'Age of Indifference' malaise in less than five minutes. The first embarrassing part of the story is that, while the article is posted in the 'Diversions 'n Oddities' section, it's a story about drug catapults on the Arizona-Mexico border. This has to be some kind of lesson in provincialism in news reporting, right? This is better than indifference. This is global indifference in the two best flavours: national and international.
Some day in the future, maybe, a disastrous-drug-trade-related story can be proven to be as completely harmless and stupid as a high-school physics project gone wrong, or some other comic situation. I don't meant to play 'morally-outraged idiot', but in this case I thought maybe there was some point to the dumb act, and I thought, goddamn, if the drug markets were slightly different, Mexico wouldn't have hooked even one investigator or digital repeater from the sensationalistic, tone-deaf, and apparently forgetful global media. Shit, before I forget: if Reagan had jumped on only one ideological grenade, he could have entirely prevented the Cuban Cigarette Boat Crisis in the 1980's.
The worst part is that the United State's economic blind eye is, as ever, responsible. The typical hot-and-cold relationship to drugs does enough damage (allegedly; yes; in some cases) to society on an individual scale, let alone a national one. While ignoring the right of civilian domestic supply with various measures, which are only now beginning to erode, it has created a drug bottleneck which has been exploited in many iterations, and in many ways throughout recent history.
What is most terrifying is to imagine the hypocrisy of ethical consumers in America who smoke marijuana (allegedly a small group of people, which is a rumor I find distasteful) who are apparently funding a small, ongoing war. Hippies, and maybe even a majority of unethical users, have problems with people being shot or decapitated. That is Bad Stuff in any language, but maybe not in the lingo of the much ballyhooed, tech-fueled 'age of indifference'. Even those considered politically conservative can agree that outsourcing profit that could be nationalized is a ridiculous proposition, right? And conservative moralists, do you really wish anyone to be killed, even as a result of inaction, and then ignore the moral or ethical implications? These the traditional enemies of marijuana and other drugs are of course oblivious to any argument about glasses or half-fullness.
Everyone is entitled to indifference. I am of the opinion that being indifferent to pretty much everything is alright, but I may have to change my opinions on things, because I can sense what the losing proposition is. If nobody plays their cards right there's a lot of dissatisfaction at the table, and it is all exactly as Kenny Rogers prophesied.
So there's one boycott of commodities the United States consumes regularly that can take place, potentially end a 'diversion' on its own border, without crippling its economy – perhaps even stimulating it. For my money, the dirtiest economism of all is 'ethical consumption', which is similar in smut-factor to the 'cap and trade'. The only good thing about the economy is that it is still a game that is somewhat open to just about anyone, unless one is blissfully in the gutter with an empty bottle of wine and no cash.
Surely there are even a handful of methadryl spillers in the USA who would put their honor where their high was for a few weeks if only to cripple the encroaching clusterfuck for a few years.
For those who are factotums to fact and nothing but the fact:
Some day in the future, maybe, a disastrous-drug-trade-related story can be proven to be as completely harmless and stupid as a high-school physics project gone wrong, or some other comic situation. I don't meant to play 'morally-outraged idiot', but in this case I thought maybe there was some point to the dumb act, and I thought, goddamn, if the drug markets were slightly different, Mexico wouldn't have hooked even one investigator or digital repeater from the sensationalistic, tone-deaf, and apparently forgetful global media. Shit, before I forget: if Reagan had jumped on only one ideological grenade, he could have entirely prevented the Cuban Cigarette Boat Crisis in the 1980's.
The worst part is that the United State's economic blind eye is, as ever, responsible. The typical hot-and-cold relationship to drugs does enough damage (allegedly; yes; in some cases) to society on an individual scale, let alone a national one. While ignoring the right of civilian domestic supply with various measures, which are only now beginning to erode, it has created a drug bottleneck which has been exploited in many iterations, and in many ways throughout recent history.
What is most terrifying is to imagine the hypocrisy of ethical consumers in America who smoke marijuana (allegedly a small group of people, which is a rumor I find distasteful) who are apparently funding a small, ongoing war. Hippies, and maybe even a majority of unethical users, have problems with people being shot or decapitated. That is Bad Stuff in any language, but maybe not in the lingo of the much ballyhooed, tech-fueled 'age of indifference'. Even those considered politically conservative can agree that outsourcing profit that could be nationalized is a ridiculous proposition, right? And conservative moralists, do you really wish anyone to be killed, even as a result of inaction, and then ignore the moral or ethical implications? These the traditional enemies of marijuana and other drugs are of course oblivious to any argument about glasses or half-fullness.
Everyone is entitled to indifference. I am of the opinion that being indifferent to pretty much everything is alright, but I may have to change my opinions on things, because I can sense what the losing proposition is. If nobody plays their cards right there's a lot of dissatisfaction at the table, and it is all exactly as Kenny Rogers prophesied.
So there's one boycott of commodities the United States consumes regularly that can take place, potentially end a 'diversion' on its own border, without crippling its economy – perhaps even stimulating it. For my money, the dirtiest economism of all is 'ethical consumption', which is similar in smut-factor to the 'cap and trade'. The only good thing about the economy is that it is still a game that is somewhat open to just about anyone, unless one is blissfully in the gutter with an empty bottle of wine and no cash.
Surely there are even a handful of methadryl spillers in the USA who would put their honor where their high was for a few weeks if only to cripple the encroaching clusterfuck for a few years.
For those who are factotums to fact and nothing but the fact:
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