Pop music in the nineteen-eighties is like pop music in general: a minefield. You no doubt know this, but you see that what with half your friends buying turntables in the last eighteen months, and other half still listening to niche genres you don't fully understand, and the third half has an habit of listening to unbearable racket and weak shit. In other words you are burdened by the fact that you enjoy music snobbishness and general one-upmanship. That kind of skullduggery is going to get you pwned, and the secret weapon, despite recent and nauseating 80s worship, is 80s pop. In an excruciating write-up, I will suggest some 80s pop cards you can hide up your album sleeves.
It is a double-edged sword of course. If you are looking for musical weapons, you're already clearly a music bastard. People no doubt gather just to whisper in awed tones about your musical unorthodoxies and iconoclastic statements. I like to imagine that I am impartial. There was a diseased time when I cared a little too much about what I listened to, and felt sharply any criticism of my musical taste. Then I realized it was all a consumerist defense reflex and let it go. Mostly. You never come all the way back from musical snobbery.